How films are conceived,planned, and produced leaves a mark upon the films, directly and structurally. The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earlie...(展开全部)

How films are conceived,planned, and produced leaves a mark upon the films, directly and structurally. The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earlie...(展开全部)

Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

A rich and informative look at the experiences of composers working under high pressure in the US film industry, The Hollywood Film Music Reader brings readers from film's earliest days to the modern blockbuster era. Beginning with the origins of movie music in the heyday of silent film, the book traces film music's progress through Hollywood's so-called Golden Age to changes i...(展开全部)

马克·波斯特（Mark Poster），后马克思思潮在美国的重要代表之一，1941年生，1968年在纽约大学获得哲学博士学位，现为美国加州大学厄湾校区历史系教授，批判理论研究所所长。同时受聘于该校的信息科学院和比较文学系。主要的研究领域包括：欧洲知识分子与文化史、批判理论和媒介研究。自1970年以来波斯特出版了13本专著，发表了近百篇学术论文，编译了很多著作，并为它们写作了“导论”。

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement" "Modern film theory begins with Metz."--Constance Penley, coeditor of...(展开全部)

"Cinema brings the industrial revolution to the eye," writes Jonathan Beller, "and engages spectators in increasingly dematerialized processes of social production." In his groundbreaking critical study, cinema is the paradigmatic example of how the act of looking has been construed by capital as "productive labor." Through an examination of cinema over the course of the twenti...(展开全部)

This book aims to restore Marx’s original emancipatory idea of socialism, conceived as an association of free individuals centered on working people’s self- emancipation after the demise of capitalism. Marxist scholar Paresh Chattopadhyay argues that, Marx’s (and Engels’s) ideas have been deliberately warped with misinterpretation not only by those who resent these ideas but mo...(展开全部)